The Complete LESBIAN VAMPIRES 101
All 4 parts by Laura Wynne available now

GUIDE | UNEARTHED

(Martin Goldman, USA, 1976)

BY COLIN FLEMING  |  August 30, 2025

What of the ephemeral horror film experience? That is, the movie we watch knowing we’ll likely only see it once, likely having encountered it by chance, but which is nonetheless memorable? We often think in terms of repeated viewings, given how easy it’s become to see what we want when we want to. 

ARTICLE | ESSAY

Running from the sun.

BY LAURA WYNNE  |  July 28, 2025

While Carmilla is the primary historical source for 90 percent of the lesbian vampire movie, there are many for the vampire in general… 

THE LATEST
    FRESH BLOOD
INTERVIEW

Brad Anderson

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BY VIOLET LUCCA  |  October 31, 2021

ARTICLE | FIRST BLOOD

Monster Hunting

In a pre-VHS world, BBC2’s Horror Double Bills paved the way for cherished father-bonding and a lifelong love of the creepy unknown.

One of the earliest memories I have is of my father pointing over to an abandoned rowboat in Dublin’s River Tolka and quite matter-of-factly stating that “a monster lives in there.”

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BY GLENN McQUAID  |  October 31, 2021

REVIEW

Tangerine Dream’s The Keep

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BY MARGARET BARTON-FUMO  |  October 31, 2021

REVIEW

Fatal Pulse

(Damon Packard, USA, 2018)

The TV is always on in Fatal Pulse. Set in 1991, the underground horror legend Damon Packard’s latest film is drenched in pinkish-bluish gel lighting, a movie-world glow enveloping all in its path—especially antihero Trent Dupont...

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BY CHLOE LIZOTTE  |  October 31, 2021

GUIDE | UNEARTHED​
(Kuei Chih-hung, Hong Kong, 1983)

The Boxer’s Omen, Kuei Chih-hung’s second-to-last film, is absolutely unlike anything you’ve seen before. The director’s Shaw Brothers career is only recently enjoying renewed appreciation...

BY RUFUS DE RHAM  |  August 15, 2025

GUIDE | UNEARTHED​
(Toshio Matsumoto, Japan, 1971)

Demons (1971) begins with the sun’s burial. It sinks beneath the horizon, like the circle leaving a Japanese flag. This brief color sequence is the overture to a monochrome samurai nightmare...

BY TOM PHELAN  |  July 11, 2025

GUIDE | CORE HORROR
(Andrzej Żuławski, France/West Germany, 1981)

Everything is either fractured or in the process of splitting apart. It is the final decade of the Cold War, and Mark (Sam Neill), a spy, returns to West Berlin, the more prosperous, though eerily...

BY JOSÉ TEODORO  |  July 8, 2025

ARTICLE | ESSAY
On being seen and heard at Sleepaway Camp.

Certain horror films have a knack for making viewers ask themselves, “Okay, what are we doing here?” and in this regard, 1983’s Sleepaway Camp is a prime example of...

BY COLIN FLEMING  |  June 20, 2025

REVIEW
(Sean Byrne, Australia/USA/Canada, 2025)

With only three brisk features over 16 long years, Sean Byrne has become perhaps the most fervently anticipated horror filmmaker, to the frustration of impatient fans.

BY LAURA KERN  |  June 6, 2025

GUIDE | ORIGINS
(John Brahm, USA, 1944)

Marie Belloc Lowndes’s 1913 novel The Lodger—an expansion of her short story of the same name—has been an enticing proposition for filmmakers, and well it should, given its...

BY COLIN FLEMING  |  June 3, 2025

REVIEW
(Joshua Erkman, USA, 2024)

Fine art photographer Alex Clark (Kai Lennox), creeping into the haze of deep middle age, wants to go back to the old ways of doing things. He made a splash years ago with a series...

BY JOSÉ TEODORO  |  May 2, 2025

GUIDE | CORE HORROR
(Tim Burton, USA, 1994)

Movies don’t save lives, but they do relitigate memory and imagination. The beloved suddenly reappears in frame, reanimated through some alchemical bargain of light and motion.

BY FRANK FALISI  |  April 21, 2025

REVIEW
(David Cronenberg, Canada/France, 2024)

The title of David Cronenberg’s latest film resonates in myriad ways. “The Shrouds” is the name of an exclusive Toronto cemetery co-owned by inventor/entrepreneur Karsh...

BY JOSÉ TEODORO  |  April 15, 2025

MORE TO DEVOUR
    RAVENOUS
INTERVIEW
The DP and director on the fantastic potential in image-making/-seeing, learning to photograph the world, and the possibility of a Demon Knight sequel.

“This phrase ‘point of view’ has to be taken seriously,” said Serge Daney, referencing...

BY FRANK FALISI  |  January 13, 2025

The year in bad fathering, featuring Love Lies Bleeding, Cuckoo, Trap, and Abigail.

Evil father figures account for some of the most memorable characters in genre films and beyond. And, well, if you happen to have a shitty dad...

BY LAURA KERN  | December 31, 2024

GUIDE | CORE HORROR
(Freddie Francis, UK, 1972)

It’s quite likely that my first taste of narrative horror was provided by Tales from the Crypt, the luridly tongue-in-cheek anthology series that ran from 1989-96 on HBO. Among the images bobbing in the stew of my earliest conscious memories are the grinning, half-decomposed...

BY STEVEN MEARS  |  December 22, 2024

GUIDE | UNEARTHED
(Mike Newell, UK/USA, 1980)

I recently visited Queen Hatshepsut, the model for the mummy in The Awakening and the novel it’s based on: Bram Stoker’s wild horror/fantasy The Jewel of Seven Stars. Stoker was with me in spirit in Cairo’s Grand Egyptian Museum...

BY KEVIN McNEER  |  November 9, 2024

REVIEW
(Coralie Fargeat, UK/USA/France, 2024)

The Substance opens with its simplest, most natural image: a raw chicken’s egg, the yolk yellow and dewy, lying flat on a white background. A long needle full of an unnaturally green fluid enters the frame and is injected...

BY VIOLET LUCCA  |  September 21, 2024

(Pascal Plante, Canada, 2023)

I first watched Pascal Plante’s Red Rooms months ago upon its Canadian release, and it was with no shortage of dread that I sat down to watch it again in preparation to write this review. This isn’t because the movie is bad, but because it so...

BY MICHAEL KRAS  |  September 6, 2024