MARGARET BARTON-FUMO

is the host of “No Pussyfooting,” an online radio show on www.kpiss.fm. She is the editor of Paul Verhoeven: Interviews (UPM) and has contributed to Film Comment since 2006.

In spite of its title, Irish director Damian McCarthy’s latest film Oddity is more familiar than strange—a classic whodunit couched in a haunted-house story with a touch of Gothic...

July 19, 2024

Of all the myriad films titled Thirst, Rod Hardy’s 1979 feature stands out as a multi-genre wonder, a horror/sci-fi hybrid with a dash of action and the fluidity of a soap opera.

June 19, 2024

Clocking in at a swift 87 minutes, Andrew Cumming’s feature debut is a slick, beautiful genre piece best suited for the big screen. Partially reminiscent of Jean-Jacques Annaud’s...

February 9, 2024

When Paul Vecchiali passed away early this year at the age of 92, he left behind a prolific legacy of films. An established director and the founder of the progressive production company Diagonale...

November 15, 2023

The title of Demián Rugna’s new horror opus is something of a misnomer: moving at a swift pace over the course of 99 minutes, When Evil Lurks lurches right into motion rather than lurks.

October 30, 2023

A witchy tale of time travel, young love, and sporty women, Léa Mysius’s sophomore feature is an entrancing puzzle film anchored by compelling performances.

May 18, 2023

Often considered a sacred rite of passage, pregnancy is an aspirational, much-coveted physical state for women the world over.

February 10, 2023

The director’s latest film, Flux Gourmet, further amplifies his wonderfully obsessive attention to the aural experience.

June 24, 2022

The Knives and Skin director talks about her feature follow-up Night’s End, collaborating with Shudder, and the creative freedoms afforded by the horror genre.

May 10, 2022

Tangerine Dream’s synth score dynamically guides Michael Mann’s only foray into horror-fantasy, The Keep.

October 31, 2021

The director’s latest film, Flux Gourmet, further amplifies his wonderfully obsessive attention to the aural experience.

June 24, 2022

The Knives and Skin director talks about her feature follow-up Night’s End, collaborating with Shudder, and the creative freedoms afforded by the horror genre.

May 10, 2022

Katie Small

is a writer, photographer, videographer, and cinephile living in Portland, Oregon.