GUIDE | MODERN SLAYERS

Christmas Bloody Christmas

(Joe Begos, USA, 2022)

BY RUFUS DE RHAM | December 26, 2025
SHARE:

To me, the best killer Santa is the one played by Larry Drake in Robert Zemeckis’s 1989 Tales from the Crypt episode “And All Through the House,” but the robot Santa from Christmas Bloody Christmas (2022) gives him a run for his money. Writer/director Begos burst onto the horror scene with the shot-for-nearly-nothing alien flick Almost Human (2013) and has since made a name for himself with down-and-dirty, scumbag horror that thrives on blood, guts, and neon. His films tend to feature characters struggling in the margins: metalheads, veterans, artists, or psychics, who drown their issues in booze and drugs until they run straight into unfortunate (and usually incredibly gory) situations.

Christmas Bloody Christmas follows Tori (a fantastic Riley Dandy, who also appeared in the definitively not horror holiday outing Hollywood Christmas the same year), a record-store owner who just wants to get wasted and have a one-night stand, but employee Robbie (Sam Delich) instead convinces her to party with him. So Tori and Robbie lock up the store and stumble out into the night to drink, drop f-bombs, and circle around the growing chemistry between them. At the same time, a robotic toy-store Santa glitches out and reverts to its military programming and begins carving a swath of destruction through the unnamed, generic small town on Christmas Eve.

In typical Begos fashion, things have gone quickly awry, and Tori and Robbie must fight for their lives as the Santa robot stomps, slashes, and axes its way through their neighbors and friends. The film is kinetic, colorful, and marvelously gory, with a ton of goopy practical effects (including a staircase head-stomp that made me a little queasy). Its great cast includes cameos from indie genre regulars like Jeremy Gardner (The Battery) and Jeff Daniel Phillips (a handful of films by Rob Zombie, another kingpin of scumbag horror), and menacing work from ER alum Abraham Benrubi as the seriously unstoppable killer Santa.

And that is pretty much it—Christmas Bloody Christmas is basically Silent Night, Deadly Night meets The Terminator, and it wears this on its blood-soaked sleeve. It’s a surprisingly winning combination, and once the action kicks off, it mostly remains propulsive fun. If you don’t happen to vibe with Begos’s aesthetic, you might bounce hard off of this movie, but for those with a soft spot for these ’80s-style plots and characters, it is a rocking film, lean and mean at 87 minutes, to watch with friends while drinking spiked eggnog. 🩸

RUFUS DE RHAM

lives in rural Connecticut across from spooky old ruins in the woods. He is part of Boondocks Film Society, a group that programs unique pop-up film events in Litchfield Hills, the Hudson Valley, and the Berkshires. He has programmed for Film at Lincoln Center (Scary Movies, My First Film Fest) and Subway Cinema (New York Asian Film Festival, Old School Kung Fu Fest). He has written extensively about Asian cinema, most recently co-editing an issue of NANG magazine dedicated to Archival Imaginaries in Asia.

How to see Christmas Bloody Christmas:

The film is also on Blu-ray and DVD.
RELATED CONTENT
    FRESH BLOOD
GUIDE | CORE HORROR
(Charles E. Sellier Jr., USA, 1984)

In theory—well, maybe—one is not supposed to laugh while watching the events of Silent Night, Deadly Night (1984) unfold, but damn does this feel cathartic and mirth-inducing.

BY COLIN FLEMING  |  December 25, 2024

GUIDE | MODERN SLAYERS
(John McPhail, UK, 2017)

“Horror” and “musical” are two terms that don’t exactly go hand in hand. Aside from the everlasting midnight phenomenon The Rocky Horror Picture Show and the growing cult...

BY LAURA KERN  |  December 30, 2024

GUIDE | CORE HORROR
(Freddie Francis, UK, 1972)

It’s quite likely that my first taste of narrative horror was provided by Tales from the Crypt, the luridly tongue-in-cheek anthology series that ran from 1989-96 on HBO.

BY STEVEN MEARS  |  December 22, 2024

RECOMMENDED
    RAVENOUS
GUIDE | ORIGINS

Supernatural

(Victor Halperin, USA, 1933)

This pre-Code offering packs a lot of story into its typically brisk running time, with several plot threads weaving together a (not always successful) tapestry of spooky and criminal doings.

READ MORE >

BY  ANN OLSSON  |  Month 00, 2021

REVIEW

The Keep

(Michael Mann, USA, 1983)

In what could be the fastest-resulting rape revenge movie, a drunken lout brutally forces himself on Ida, the young woman who doesn't return his affections, during a party over Labor Day.

READ MORE >

BY  LAURA KERN  |  Month 00, 2021

REVIEW

We Need To Do Something

(Sean King O'Grady, USA, 2021)

Beast is a lot of movies in one package - fractured fairy tale, belated-coming-of-age story, psychological drama, regional horror film - but above all it's a calling card for its leading lady, Jessie Buckley.

READ MORE >

BY  LAURA KERN  |  Month 00, 2021

🖨 📄