JOSÉ TEODORO

is a freelance critic and playwright.

From its opening image of ocean waves stuttering slowly behind a sheet of steely rain to its final vista of human detritus turned into cosmic junk, Nr. 10 seems determined above all to enter and exit every scene in medias res.

December 9, 2022

Nanny begins with Aisha (Anna Diop) asleep. Shadows, undulations, and a spreading dampness affect her bedclothes, while a spider makes an entrance just as Aisha wakes with a start. It’s as though a tiny aperture has opened...

November 21, 2022

The tale of an amateur entomologist (Eiji Okada) lured by seemingly amiable rural folk into a sand pit from which he is unable to escape, Woman in the Dunes would seem to generate its particular strain of terror...

October 31, 2022

The camera floats just a little behind and a little above the figure of a man running through Central Park. In this, Birth’s overture, we seem to observe the running man from the perspective of Death itself—a force as calm, steady, and inescapable...

October 31, 2022

The English title of Christian Tafdrup’s third feature initially reads as a strategy to draw horror fans, a pleading form of genre assurance that...

September 12, 2022

The enduring allure of Southern Gothic seems inextricable from the biblical entropy that haunts its storytelling, segregating it from...

August 8, 2022

Cronenberg hallmarks may ripple through Crimes of the Future, but the director’s transcendent return offers fresh flavors of food for thought.

June 7, 2022

I haven’t seen Jane Schoenbrun’s first feature, a 2018 documentary entitled A Self-Induced Hallucination. The film’s IMDb page offers a teasingly terse synopsis...

April 20, 2022

Brazilian writer-director Iuli Gerbase’s debut feature begins with the whole of humanity being forced indoors by a pervasive vapor as deadly as it is seemingly innocuous.

March 1, 2022

Produced during the cultural thaw that immediately followed the end of the Franco dictatorship, Basque writer-director and designer Iván Zulueta’s 1979 feature Arrebato (Rapture)...

October 31, 2021

Brazilian writer-director Iuli Gerbase’s debut feature begins with the whole of humanity being forced indoors by a pervasive vapor as deadly as it is seemingly innocuous.

March 1, 2022

Produced during the cultural thaw that immediately followed the end of the Franco dictatorship, Basque writer-director and designer Iván Zulueta’s 1979 feature Arrebato (Rapture)...

October 31, 2021

Katie Small

is a writer, photographer, videographer, and cinephile living in Portland, Oregon.