GUIDES A-Z

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GUIDE | MODERN SLAYERS
(Kim Jee-woon, South Korea, 2003)

Two thousand and three was a weird year for Korean cinema. Hard on the heels of the paradigm shift...

BY RUFUS DE RHAM  |  October 30, 2024

GUIDE | CORE HORROR
(Freddie Francis, UK, 1972)

A woman’s experience of empty-nest syndrome manifests as a supernatural return of the repressed in Robert Zemeckis’s...

BY STEVEN MEARS  |  December 22, 2024

GUIDE | CORE HORROR
(John Carpenter, USA/Canada, 1982)

The horrible miracle of John Carpenter’s The Thing is that it manages to absolutely terrify the viewer while also being patently, grotesquely absurd.

BY MICHAEL KORESKY  |  October 31, 2021

GUIDE | UNEARTHED
(Rod Hardy, Australia, 1979)

Of all the myriad films titled Thirst, Rod Hardy’s 1979 feature stands out as a multi-genre wonder, a horror/sci-fi hybrid with a dash of action and...

BY MARGARET BARTON-FUMO  |  June 19, 2024

GUIDE | ORIGINS
(George Archainbaud, USA, 1932)

Behold the power of Myrna Loy! In Thirteen Women, she propels a man to throw himself in front of a moving subway train using only her intense gaze.

BY ANN OLSSON  |  November 30, 2023

GUIDE | MODERN SLAYERS
(Claire Denis, France/Japan/Germany, 2001)

Trouble Every Day (2001) opens with Tindersticks’ swooning, doomy song of the same name enveloping the image of two...

BY JOSÉ TEODORO  |  October 20, 2024

GUIDE | UNEARTHED
(Song Il-gon, South Korea, 2004)

The guilty mind passes the time by inventing new escapes and tortures. Song Il-gon’s Spider Forest (2004) is the story of a...

BY TOM PHELAN  |  October 22, 2024

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