With modern-day growing fascism and the overreach of military powers, Guillermo del Toro’s 2006 horror-fantasy Pan’s Labyrinth...
BY KATIE SMALL | November 7, 2025
Paperhouse has many frightening scenes, but one stands out as particularly scary for its brevity and almost inexplicable terror. The film’s young protagonist...
BY MICHAEL KORESKY | October 31, 2021
If ever a film’s reputation preceded it, Victor Sjöström’s The Phantom Carriage is that film. On more than one occasion...
BY STEVEN MEARS | October 18, 2024
Planet of the Vampires is a film you haven’t seen at all if you haven’t seen it in the wee hours, with the...
BY TOM PHELAN | April 5, 2024
In the beginning was the Word, and the Word was: “What?” This syllable, spoken by Grant Mazzy (Stephen McHattie), shock jock in decline, is in response to...
BY TOM PHELAN | January 3, 2023
When we were in our late teens, my best friend had a random VHS collection consisting of just three titles: Night of the Living Dead, Creepers, and Popcorn.
BY LAURA KERN | January 19, 2023
Everything is either fractured or in the process of splitting apart. It is the final decade of the Cold War, and Mark (Sam Neill), a spy...
BY JOSÉ TEODORO | July 8, 2025
Pulse is, in my mind, the pinnacle of the J-horror wave in the late ’90s and early ’00s. It is part of Kiyoshi Kurosawa’s early explorations into the apocalypse, which also include...
BY RUFUS DE RHAM | November 3, 2025
In the beginning was the Word, and the Word was: “What?” This syllable, spoken by Grant Mazzy (Stephen McHattie), shock jock in decline, is in response to...
BY TOM PHELAN | January 3, 2023
When we were in our late teens, my best friend had a random VHS collection consisting of just three titles: Night of the Living Dead, Creepers, and Popcorn.
BY LAURA KERN | January 19, 2023
Everything is either fractured or in the process of splitting apart. It is the final decade of the Cold War, and Mark (Sam Neill), a spy...
BY JOSÉ TEODORO | July 8, 2025
