Completely mismarketed and misunderstood upon its initial 1999 release, Antonia Bird’s wicked period-horror adventure set in the snowy western Sierra Nevadas...
BY LAURA KERN | October 21, 2025
I first saw Razorback as part of Joe Bob Briggs’s MonsterVision, which was one of my primary means of discovering new films beyond my small-town video store...
BY RUFUS DE RHAM | October 27, 2025
Seen from the vantage point of the present, any film with the barest hint of a quarantine narrative can only remind...
BY NICHOLAS RUSSELL | March 22, 2024
Sometimes, when feelings of déjà vu extend beyond a fleeting moment, it’s enough to make a nonbeliever consider...
BY LAURA KERN | November 6, 2024
Had you watched Bela Lugosi in Universal’s 1931 Dracula and then been apprised by a clued-in demon-cum-publicist of the...
BY COLIN FLEMING | November 10, 2025
There are three prevailing mindsets behind horror-movie sequels. The most typical goes something like, “We can squeeze...
BY COLIN FLEMING | November 4, 2024
Sébastien Marnier’s second feature may be cursed with a generic English title, but the film immediately dispels any any semblance of the ordinary...
BY LAURA KERN | October 8, 2023
