12 DAYS OF CHRISTMAS HORROR
INTERVIEW

The DP and director on the fantastic potential in image-making/-seeing, learning to photograph the world, and the possibility of a Demon Knight sequel.

BY FRANK FALISI  |  January 13, 2025

“This phrase ‘point of view’ has to be taken seriously,” said Serge Daney, referencing Fritz Lang’s great and Gothic Moonfleet (1955). 

ARTICLE | STREAMING PILE

The year in bad fathering, featuring Love Lies Bleeding, Cuckoo, Trap, and Abigail.

BY LAURA KERN  |  December 31, 2024

Evil father figures account for some of the most memorable characters in genre films and beyond. And, well, if you happen to have a shitty dad in real life…

THE LATEST
    FRESH BLOOD
INTERVIEW

Brad Anderson

Text TK...

Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...TK...Text TK...Text TK...Text TK...Text TK...Text TK...

READ MORE >

BY VIOLET LUCCA  |  October 31, 2021

ARTICLE | FIRST BLOOD

Monster Hunting

In a pre-VHS world, BBC2’s Horror Double Bills paved the way for cherished father-bonding and a lifelong love of the creepy unknown.

One of the earliest memories I have is of my father pointing over to an abandoned rowboat in Dublin’s River Tolka and quite matter-of-factly stating that “a monster lives in there.”

READ MORE >

BY GLENN McQUAID  |  October 31, 2021

REVIEW

Tangerine Dream’s The Keep

Text TK...

Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text TK...Text Text TK...Text TK...Text TK...Text TK...Text

READ MORE >

BY MARGARET BARTON-FUMO  |  October 31, 2021

REVIEW

Fatal Pulse

(Damon Packard, USA, 2018)

The TV is always on in Fatal Pulse. Set in 1991, the underground horror legend Damon Packard’s latest film is drenched in pinkish-bluish gel lighting, a movie-world glow enveloping all in its path—especially antihero Trent Dupont...

READ MORE >

BY CHLOE LIZOTTE  |  October 31, 2021

GUIDE | CORE HORROR
(Dario Argento, Italy, 1975)

It’s so strange that Dario Argento’s 1996 movie called The Stendhal Syndrome is really about post-traumatic stress disorder when nearly all of his classics somehow involve Stendhal syndrome.

BY LAURA WYNNE  |  December 27, 2024

REVIEW
(Robert Eggers, USA, 2024)

The year was 1838, when the entire world was permanently overcast, underlit, and draped in smoke, and everyone was unhappy and utterly humorless.

BY JOSÉ TEODORO  |  December 25, 2024

REVIEW
(Marisa Crespo & Moisés Romera, Spain, 2023)

General, rather mundane anxieties (and some more alarming pitfalls) that can accompany travel—luggage lost in transit, exhaustion, impending long-distance jet lag, a car colliding with...

BY LAURA KERN  |  December 21, 2024

GUIDE | UNEARTHED
(Mike Newell, UK/USA, 1980)

I recently visited Queen Hatshepsut, the model for the mummy in The Awakening and the novel it’s based on: Bram Stoker’s wild horror/fantasy The Jewel of Seven Stars.

BY KEVIN McNEER  |  November 9, 2024

ARTICLE | EMBODIMENTS OF EVIL
The dead-eyed political aspirant Greg Stillson in David Cronenberg’s Stephen King adaptation encapsulates Trump-level terror.

Before we assess the villain, let’s begin with the hero—and “hero” is the correct...

BY JOSÉ TEODORO  |  November 3, 2024

ARTICLE | STREAMING PILE
Movies ghoulishly suited for imaginative in-house Halloween viewing.

Anyone can watch a hearse-load of scary movies at Halloween—and lots of us do—but how many of those people try...

BY COLIN FLEMING  | OCTOBER 15, 2024

REVIEW
(Coralie Fargeat, UK/USA/France, 2024)

The Substance opens with its simplest, most natural image: a raw chicken’s egg, the yolk yellow and dewy, lying flat on a white background. A long needle full of…

BY VIOLET LUCCA  |  September 21, 2024

(Pascal Plante, Canada, 2023)

I first watched Pascal Plante’s Red Rooms months ago upon its Canadian release, and it was with no shortage of dread that I sat down to watch it again in preparation to write this review.

BY MICHAEL KRAS  |  September 6, 2024

INTERVIEW
Movie and life revelations from the actor behind Chucky and other iconic roles of darkness.

I say “hello” into a telephone and Chucky says “hi” back. I realize that I perhaps haven’t adequately prepared myself for what this might feel like.

BY FRANK FALISI  |  September 3, 2024

MORE TO DEVOUR
    RAVENOUS
ARTICLE | EMBODIMENTS OF EVIL
The actor’s Oscar-nominated, atypically sinister turn supports the notion that unassuming fellows are often the ones to fear most.

After he’d fundamentally abandoned Hollywood moviemaking and cast his lot...

BY STEVEN MEARS  |  August 20, 2024

ARTICLE | SOUNDS OF VIOLENCE
Renowned composer Toru Takemitsu brought his own brand of sonic fear to the soundtracks of many genre highlights from the Japanese New Wave.

Consider the Dies Irae. Eight dire notes to remind you that you are going to die.

BY TOM PHELAN  |  July 26, 2024

(Damian McCarthy, Ireland, 2024)

In spite of its title, Irish director Damian McCarthy’s latest film Oddity is more familiar than strange—a classic whodunit couched in a haunted-house story with a touch of Gothic...

BY MARGARET BARTON-FUMO  |  July 19, 2024

Longlegs carries forward Osgood Perkins’s ethereal cinema of dark isolation.

About a decade ago, an intriguing new contender stepped into the horror arena. It wasn’t so much a grandstanding moment as a quiet entrance...

BY LAURA KERN  | July 12, 2024

INTERVIEW
The versatile actress talks about her transformative collaboration with Mike Flanagan, working with her life partner Sebastián Gutiérrez, character-building, and hauntings.

Though she’s not generally counted among the canon of horror’s distinguished...

BY KELLI WESTON  |  May 9, 2024

GUIDE | ORIGINS
(Gunther von Fritsch & Robert Wise, USA, 1944)

At this crazy moment, when film history is caught in the grip of multiple clichés that grind on and on and on—puerile revenge...

BY KENT JONES  |  September 10, 2023