BLOODY VALENTINE VIEWING GUIDE

New titles added February 11-19

GUIDE | CORE HORROR

(Tim Burton, USA, 1994)

BY FRANK FALISI  |  April 21, 2025

Movies don’t save lives, but they do relitigate memory and imagination. The beloved suddenly reappears in frame, reanimated through some alchemical bargain of light and motion. 

ARTICLE | STREAMING PILE

Post-crypt horror in the ever-homeward Eastertide spirit.

BY COLIN FLEMING  |  April 17, 2025

The holidays I love the most are Halloween and Christmas—as I’m sure many others would choose—and Easter, which gives the other two a competitive push. It’s also a day whose spirit I seek to keep in my heart all year round—as Scrooge learned to do with what became his treasured Yule.

THE LATEST
    FRESH BLOOD
INTERVIEW

Brad Anderson

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BY VIOLET LUCCA  |  October 31, 2021

ARTICLE | FIRST BLOOD

Monster Hunting

In a pre-VHS world, BBC2’s Horror Double Bills paved the way for cherished father-bonding and a lifelong love of the creepy unknown.

One of the earliest memories I have is of my father pointing over to an abandoned rowboat in Dublin’s River Tolka and quite matter-of-factly stating that “a monster lives in there.”

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BY GLENN McQUAID  |  October 31, 2021

REVIEW

Tangerine Dream’s The Keep

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BY MARGARET BARTON-FUMO  |  October 31, 2021

REVIEW

Fatal Pulse

(Damon Packard, USA, 2018)

The TV is always on in Fatal Pulse. Set in 1991, the underground horror legend Damon Packard’s latest film is drenched in pinkish-bluish gel lighting, a movie-world glow enveloping all in its path—especially antihero Trent Dupont...

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BY CHLOE LIZOTTE  |  October 31, 2021

REVIEW
(David Cronenberg, Canada/France, 2024)

The title of David Cronenberg’s latest film resonates in myriad ways. “The Shrouds” is the name of an exclusive Toronto cemetery co-owned by inventor/entrepreneur Karsh (Vincent Cassel), whose company...

BY JOSÉ TEODORO  |  April 15, 2025

GUIDE | UNEARTHED
(Andrew Fleming, USA, 1988)

In the discussion of the ’80s being the golden age of horror, Bad Dreams is far too often left out of the conversation. Granted, the film has its competition—coming from 1988, no less—but Andrew Fleming’s debut feature deserves...

BY LAURA KERN  |  March 28, 2025

ARTICLE | STREAMING PILE
Films vernally ripe and darkly coiled for a suitable viewing marathon with St. Patrick.

When it comes to ghost stories—the foundational texts, be they written or oral, of horror—the Irish are tough to beat. Fear is a spirit. A ghost may take the form of what we’ve allowed ourselves...

BY COLIN FLEMING  | March 17, 2025

GUIDE | MODERN SLAYERS
(Lars von Trier, Denmark, 2009)

Lars von Trier has always been quietly obsessed with genre trash that his audience would find distasteful. Antichrist is more in the tradition of The Evil Dead than The Mirror. It is structured like a horror movie, down to a late revelation...

BY LAURA WYNNE  |  February 19, 2025

INTERVIEW
The DP and director on the fantastic potential in image-making/-seeing, learning to photograph the world, and the possibility of a Demon Knight sequel.

“This phrase ‘point of view’ has to be taken seriously,” said Serge Daney, referencing Fritz Lang’s great and Gothic Moonfleet (1955).

BY FRANK FALISI  |  January 13, 2025

The year in bad fathering, featuring Love Lies Bleeding, Cuckoo, Trap, and Abigail.

Evil father figures account for some of the most memorable characters in genre films and beyond. And, well, if you happen to have a shitty dad...

BY LAURA KERN  | December 31, 2024

REVIEW
(Robert Eggers, USA, 2024)

The year was 1838, when the entire world was permanently overcast, underlit, and draped in smoke, and everyone was unhappy and utterly humorless. Somewhere in Germany, porcelain-skinned Ellen (Lily-Rose Depp) marries...

BY JOSÉ TEODORO  |  December 25, 2024

GUIDE | UNEARTHED
(Mike Newell, UK/USA, 1980)

I recently visited Queen Hatshepsut, the model for the mummy in The Awakening and the novel it’s based on: Bram Stoker’s wild horror/fantasy The Jewel of Seven Stars.

BY KEVIN McNEER  |  November 9, 2024

ARTICLE | EMBODIMENTS OF EVIL
The dead-eyed political aspirant Greg Stillson in David Cronenberg’s Stephen King adaptation encapsulates Trump-level terror.

Before we assess the villain, let’s begin with the hero—and “hero” is the correct...

BY JOSÉ TEODORO  |  November 3, 2024

MORE TO DEVOUR
    RAVENOUS
REVIEW
(Coralie Fargeat, UK/USA/France, 2024)

The Substance opens with its simplest, most natural image: a raw chicken’s egg, the yolk yellow and dewy, lying flat on a white background. A long needle full of…

BY VIOLET LUCCA  |  September 21, 2024

(Pascal Plante, Canada, 2023)

I first watched Pascal Plante’s Red Rooms months ago upon its Canadian release, and it was with no shortage of dread that I sat down to watch it again in preparation to write this review.

BY MICHAEL KRAS  |  September 6, 2024

INTERVIEW
Movie and life revelations from the actor behind Chucky and other iconic roles of darkness.

I say “hello” into a telephone and Chucky says “hi” back. I realize that I perhaps haven’t adequately prepared myself for what this might feel like.

BY FRANK FALISI  |  September 3, 2024

ARTICLE | EMBODIMENTS OF EVIL
The actor’s Oscar-nominated, atypically sinister turn supports the notion that unassuming fellows are often the ones to fear most.

After he’d fundamentally abandoned Hollywood moviemaking and cast his lot...

BY STEVEN MEARS  |  August 20, 2024

ARTICLE | SOUNDS OF VIOLENCE
Renowned composer Toru Takemitsu brought his own brand of sonic fear to the soundtracks of many genre highlights from the Japanese New Wave.

Consider the Dies Irae. Eight dire notes to remind you that you are going to die. This musical phrase from a 13th-century plainchant...

BY TOM PHELAN  |  July 26, 2024

INTERVIEW
The versatile actress talks about her transformative collaboration with Mike Flanagan, working with her life partner Sebastián Gutiérrez, character-building, and hauntings.

Though she’s not generally counted among the canon of horror’s distinguished...

BY KELLI WESTON  |  May 9, 2024