ARTICLE | ESSAY

The cannibalistic Bones and All fortifies, and darkens, Luca Guadagnino’s habitual seductive scenarios, in which heightened stylistics often cloud sexuality.

BY KELLI WESTON  |  November 23, 2022

Bones and All—Luca Guadagnino’s latest monument to ill-fated love, based on the 2016 young-adult novel by Camille DeAngelis—begins with a slice of the quotidian…

REVIEW

(Nikyatu Jusu, USA, 2022)

BY JOSÉ TEODORO  |  November 21, 2022

Nanny begins with Aisha (Anna Diop) asleep. Shadows, undulations, and a spreading dampness affect her bedclothes, while a spider makes an entrance just as Aisha wakes with a start. It’s as though a tiny aperture has opened between our heroine’s nightmares and waking life…

THE LATEST
    FRESH BLOOD
INTERVIEW

Brad Anderson

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BY VIOLET LUCCA  |  October 31, 2021

ARTICLE | FIRST BLOOD

Monster Hunting

In a pre-VHS world, BBC2’s Horror Double Bills paved the way for cherished father-bonding and a lifelong love of the creepy unknown.

One of the earliest memories I have is of my father pointing over to an abandoned rowboat in Dublin’s River Tolka and quite matter-of-factly stating that “a monster lives in there.”

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BY GLENN McQUAID  |  October 31, 2021

REVIEW

Tangerine Dream’s The Keep

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BY MARGARET BARTON-FUMO  |  October 31, 2021

REVIEW

Fatal Pulse

(Damon Packard, USA, 2018)

The TV is always on in Fatal Pulse. Set in 1991, the underground horror legend Damon Packard’s latest film is drenched in pinkish-bluish gel lighting, a movie-world glow enveloping all in its path—especially antihero Trent Dupont...

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BY CHLOE LIZOTTE  |  October 31, 2021

(Mark Mylod, USA, 2022)

With his cold, enigmatic handsomeness and piercing blue eyes, Ralph Fiennes was meant for villainy. His magnetic portrayal of the execrable Nazi butcher Amon Goeth in Schindler’s List first lured American audiences in, and he went on... 

BY LAURA KERN  |  November 18, 2022

GUIDE | CORE HORROR
(David Cronenberg, USA, 1986)

It’s an unfortunate fact of life: even super-smart women sometimes end up with terrible boyfriends. This, along with a very different tragic, universal reality—everyone’s body radically changes and deteriorates with illness...

BY VIOLET LUCCA  |  October 31, 2022

ARTICLE | FIRST BLOOD
From a pool of strong contenders, Poltergeist emerged as the defining film of an ’80s childhood.

In 1983, JoBeth Williams appeared in the ensemble of Lawrence Kasdan’s The Big Chill, thus immortalizing herself as an avatar for white baby boomery. 

BY MICHAEL KORESKY |  September 30, 2022

GUIDE | CORE HORROR
(Hiroshi Teshigahara, Japan, 1964)

The tale of an amateur entomologist (Eiji Okada) lured by seemingly amiable rural folk into a sand pit from which he is unable to escape, Woman in the Dunes would seem to generate its particular strain of terror from our primal fear of... 

BY JOSÉ TEODORO  |  October 31, 2022

REVIEW
(Ti West, USA, 2022)

This past March, X, Ti West’s gleefully raunchy hybrid of two late-’70s subgenres (farmhouse horror and farmer’s-daughter porn), overachieved in four meaningful ways. It balanced lurid camp with authentic human...

BY STEVEN MEARS |  September 19, 2022

REVIEW
(Zach Cregger, USA, 2022)

Lately, the art of crafting a subtle and captivating movie trailer feels lost. But the official trailer for Barbarian not only grabs your attention, it also manages to reveal the film’s critique of gender dynamics while keeping the main story line... 

BY KATIE SMALL  |  October 3, 2022

GUIDE | MODERN SLAYERS
(Joel Anderson, Australia, 2008)

It’s both a mystery and a shame that Joel Anderson has directed only one feature, emerging out of nowhere to unleash a film that has slowly gained cult status, only to pretty much disappear from the movie world.

BY RUFUS DE RHAM  |  October 31, 2022

INTERVIEW
Tooth fairy: the director of Earwig discusses her distinctive treatment of adolescence, narrative, and silence.

Lucile Hadžihalilović has an exquisite talent for exploring the unique, manic hells that flow forth from helicopter parenting.

BY VIOLET LUCCA  |  August 12, 2022

GUIDE | CORE HORROR
(Jack Clayton, UK, 1961)

Jack Clayton’s masterpiece of narrative ambiguity The Innocents begins with a time-honored tableau: Deborah Kerr, hands clasped devoutly, imploring a higher power to make her useful to her young wards...

BY STEVEN MEARS |  October 31, 2022

MORE TO DEVOUR
    RAVENOUS
GUIDE | ORIGINS
(Alberto Cavalcanti, Charles Crichton, Basil Dearden & Robert Hamer, UK, 1945)

Legendary Amicus anthologies like Freddie Francis’s Tales from the Crypt (not to mention TV shows like The Twilight Zone, adopting the same style) owe everything to Dead of Night...

BY LAURA KERN  |  October 31, 2022

GUIDE | MODERN SLAYERS
(Jonathan Glazer, USA/UK, 2004)

The camera floats just a little behind and a little above the figure of a man running through Central Park. In this, Birth’s overture, we seem to observe the running man from the perspective of Death itself...

BY JOSÉ TEODORO  |  October 31, 2022

ARTICLE | FIRST BLOOD
A young horror-seeker found his dark pleasures in classic monsters, Salem’s Lot, and the art house—and the search goes on

Horror stories know something that other stories don’t. William S. Burroughs named his book Naked Lunch after that “frozen moment when everyone sees what is on the end of every fork.”

BY TOM PHELAN  |  March 17, 2022

The director’s latest film, Flux Gourmet, further amplifies his wonderfully obsessive attention to the aural experience

One need only watch a few moments of Peter Strickland’s films to realize that the British-born, Hungary-based director is a stickler for detail. 

BY MARGARET BARTON-FUMO |  June 24, 2022

ARTICLE | FEAR FRANCHISES
After four canonical films and two offshoots, the indomitable series returns to glory with Prey.

Of the many recurring horror villains, Freddy Krueger is famously distinguished by his crispy face and razor claws, Jason Voorhees by his hockey mask and machete, and Leatherface...

BY LAURA KERN  |  August 17, 2022

REVIEW
(Chloe Okuno, USA, 2022)

The toxicity of the male gaze has rarely been depicted on-screen with such chilling intensity as in Chloe Okuno’s debut feature Watcher. A refreshing take on the apartment thriller genre epitomized by films like Rear Window...

BY YONCA TALU  |  June 24, 2022