REVIEW

(Coralie Fargeat, UK/USA/France, 2024)

BY VIOLET LUCCA  |  September 21, 2024

The Substance opens with its simplest, most natural image: a raw chicken’s egg, the yolk yellow and dewy, lying flat on a white background. A long needle full of an unnaturally green fluid enters the frame and is injected…

REVIEW

(Pascal Plante, Canada, 2023)

BY MICHAEL KRAS  |  September 6, 2024

I first watched Pascal Plante’s Red Rooms months ago upon its Canadian release, and it was with no shortage of dread that I sat down to watch it again in preparation to write this review. 

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    FRESH BLOOD
INTERVIEW

Brad Anderson

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BY VIOLET LUCCA  |  October 31, 2021

ARTICLE | FIRST BLOOD

Monster Hunting

In a pre-VHS world, BBC2’s Horror Double Bills paved the way for cherished father-bonding and a lifelong love of the creepy unknown.

One of the earliest memories I have is of my father pointing over to an abandoned rowboat in Dublin’s River Tolka and quite matter-of-factly stating that “a monster lives in there.”

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BY GLENN McQUAID  |  October 31, 2021

REVIEW

Tangerine Dream’s The Keep

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BY MARGARET BARTON-FUMO  |  October 31, 2021

REVIEW

Fatal Pulse

(Damon Packard, USA, 2018)

The TV is always on in Fatal Pulse. Set in 1991, the underground horror legend Damon Packard’s latest film is drenched in pinkish-bluish gel lighting, a movie-world glow enveloping all in its path—especially antihero Trent Dupont...

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BY CHLOE LIZOTTE  |  October 31, 2021

INTERVIEW
Movie and life revelations from the actor behind Chucky and other iconic roles of darkness.

I say “hello” into a telephone and Chucky says “hi” back. I realize that I perhaps haven’t adequately prepared myself for what this might feel like.

BY FRANK FALISI  |  September 3, 2024

ARTICLE | EMBODIMENTS OF EVIL
The actor’s Oscar-nominated, atypically sinister turn supports the notion that unassuming fellows are often the ones to fear most.

After he’d fundamentally abandoned Hollywood moviemaking and cast his lot...

BY STEVEN MEARS  |  August 20, 2024

GUIDE | UNEARTHED

Viy

(Konstantin Yershov & Georgiy Kropachyov, Soviet Union, 1967)

In 1966, two Moscow film students pitched a horror feature based on a classic Slavic witch tale, Nikolai Gogol’s Viy (1833). The khudsovety (artistic committees) that...

BY KEVIN McNEER  |  August 6, 2024

ARTICLE | SOUNDS OF VIOLENCE
Renowned composer Toru Takemitsu brought his own brand of sonic fear to the soundtracks of many genre highlights from the Japanese New Wave.

Consider the Dies Irae. Eight dire notes to remind you that you are going to die.

BY TOM PHELAN  |  July 26, 2024

(Damian McCarthy, Ireland, 2024)

In spite of its title, Irish director Damian McCarthy’s latest film Oddity is more familiar than strange—a classic whodunit couched in a haunted-house story with a touch of Gothic...

BY MARGARET BARTON-FUMO  |  July 19, 2024

Longlegs carries forward Osgood Perkins’s ethereal cinema of dark isolation.

About a decade ago, an intriguing new contender stepped into the horror arena. It wasn’t so much a grandstanding moment as a quiet entrance...

BY LAURA KERN  | July 12, 2024

REVIEW
(Veronika Franz & Severin Fiala, Austria/Germany, 2024)

Set in the mist-shrouded woods of Upper Austria in the 18th century, the latest film from writer/director duo Veronika Franz and Severin...

BY JOSÉ TEODORO  |  June 28, 2024

ARTICLE | FIRST BLOOD
The person-changing experience of walking in on Tod Browning’s Dracula.

A place where no actual blood was spilled—at least to my knowledge—my grandmother’s house proved strangely—even sagely—sanguinary as it pertained to...

BY COLIN FLEMING  |  June 19, 2024

GUIDE | MODERN SLAYERS
(Bryan Bertino, USA, 2008)

“Because you were home.” That’s it. The best home-invasion movie ever made is built on a foundation of senselessness. There are people in your house trying to kill you and you don’t know why.

BY LAURA WYNNE  |  May 22, 2024

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    RAVENOUS
INTERVIEW
The versatile actress talks about her transformative collaboration with Mike Flanagan, working with her life partner Sebastián Gutiérrez, character-building, and hauntings.

Though she’s not generally counted among the canon of horror’s distinguished performers...

BY KELLI WESTON  |  May 9, 2024

REVIEW
(Larry Fessenden, USA, 2023)

The premise, like the ambient air of fatalism, owes as much to film noir as it does horror. A man wakes in a place he can’t remember arriving at, his body bearing the ravages of some...

BY JOSÉ TEODORO  |  April 15, 2024

REVIEW
(Sam H. Freeman & Ng Choon Ping, UK, 2023)

Done right, a movie can conjure feelings you typically wouldn’t have—or, in the case of many dark genre works, ones you absolutely don’t want. The powerhouse Femme...

BY LAURA KERN  |  March 29, 2024

GUIDE | MODERN SLAYERS
(Jaume Balagueró & Paco Plaza, Spain, 2007)

Seen from the vantage point of the present, any film with the barest hint of a quarantine narrative can only remind its audience of the COVID pandemic. There is a solipsism at play here, though one that is in mangled, fearful conversation with every other...

BY NICHOLAS RUSSELL  |  March 22, 2024

Roman Polanski’s The Tenant as a phantom trans text.

There is nothing quite so destabilizing as being told again and again that you are someone you are not.

BY LAURA WYNNE  |  March 8, 2024

GUIDE | ORIGINS
(Gunther von Fritsch & Robert Wise, USA, 1944)

At this crazy moment, when film history is caught in the grip of multiple clichés that grind on and on and on—puerile revenge...

BY KENT JONES  |  September 10, 2023