Discomfort Zone
The Harbinger, the latest of Andy Mitton’s exquisitely heady—and horrifying—otherworldly explorations, is the only quarantine film we need.
The Innocents
Jack Clayton’s masterpiece of narrative ambiguity The Innocents begins with a time-honored tableau: Deborah Kerr, hands clasped devoutly, imploring a higher power to make her useful to her young wards (“more than anything, I love children”).
Free Spirits
From a pool of strong contenders, Poltergeist emerged as the defining film of an 80s childhood.