Stir of Echoes

Kevin Bacon and a ghost in plastic

Writer/director David Koepp paid the ultimate tribute to an author he reveres, the oft-adapted Richard Matheson, with a top-notch screen version of his 1958 novel, A Stir of Echoes.

The Haunting

The question of possession looms over The Haunting (1963), with regards to both Hill House, the labyrinthine Victorian mansion in which most of the action takes place, and the film’s story, an adaptation of Shirley Jackson’s now-canonical 1959 Gothic The Haunting of Hill House that’s remarkably faithful in plot, if not in spirit.

The Day of the Beast

A rare case of a film striking the perfect horror-comedy balance, The Day of the Beast is also an extremely rare example of a buddy flick found within genre cinema.

What Lies Beneath

A woman’s experience of empty-nest syndrome manifests as a supernatural return of the repressed in Robert Zemeckis’s cathartic ghost story, an exercise in classical Hitchcockian tension and plotting that transcends pastiche.

Thirteen Women

Behold the power of Myrna Loy! In Thirteen Women, she propels a man to throw himself in front of a moving subway train using only her intense gaze.

The Devil (Diabeł)

Andrzej Żuławski will be your guide through hell, giddy as Virgil his first day on the job. He conceived his second theatrical feature, 1972’s The Devil (aka Diabel), as a political allegory for the witch hunts launched by the Polish Communist government in response to the 1968 student uprisings, but it is also a convulsive work of revenge horror, a wintry ride well beyond the limits of sanity.

Night of Fear

An interesting piece of Australian horror history is that one of the first examples of the genre wasn’t meant to be a feature film at all.

The Changeling

For all the freaky poltergeist activity and vivid visions of murder to come, The Changeling (1980) dispatches its most abysmal horrors in its opening minutes, when its protagonist witnesses the deaths of his wife and child under the wheels of a truck, in the sort of scene that inevitably impacts older viewers more profoundly than younger ones.