The Last Winter

There is a deep sense of overwhelming sadness that pervades Larry Fessenden’s The Last Winter. Oil workers for North Industries, run by Ed Pollack (the perfectly cast Ron Perlman), join forces with an environmental investigation team led by James Hoffman (James Le Gros) to study the viability of a new drilling site deep in the Alaskan wilderness.

The Curse of the Cat People

At this crazy moment, when film history is caught in the grip of multiple clichés that grind on and on and on—puerile revenge + empowerment fantasies (pioneered by Quentin Tarantino), a lazy equation between the mass-marketed and the genuinely popular, an even lazier equation between audio-visual entertainment and technological progress—it might come as a shock to revisit Val Lewton’s nine-film horror cycle for RKO in the ’40s.

The Velvet Vampire

It was Ingmar Bergman’s The Seventh Seal (1957) that inspired Stephanie Rothman to make movies. She studied filmmaking at the University of Southern California, became the first woman to be awarded a Directors Guild of America fellowship, and went on to work as a valued assistant for exploitation titan Roger Corman (also, as it happens, a big Bergman fan).

Häxan

There is a particular allure to the silent horror movie—the sense that, as a viewer, you haven’t merely stumbled upon something but perhaps you’ve unearthed it.

Popcorn

When we were in our late teens, my best friend had a random VHS collection consisting of just three titles: Night of the Living Dead, Creepers, and Popcorn.

Noroi: The Curse

When Noroi: The Curse was released in Japan in 2005, it quickly became a word-of-mouth must-see, deemed one of the scariest found-footage films ever made.

Eye of the Devil

Much folk horror pivots on the sacrifices that must be made for sacred, usually cursed land. And in the case of J. Lee Thompson’s wildly neglected Eye of the Devil, that responsibility falls to the men—which hasn’t exactly boded well for the Bordeaux-bred Montfaucon family.