School’s Out
Sébastien Marnier’s second feature may be cursed with a generic English title, but the film immediately dispels any semblance of the ordinary with one of the most attention-grabbing opening scenes in recent memory.
birth/rebirth
The influence of Mary Shelley’s Frankenstein on motion pictures can be traced back to the early years of cinema, and reanimating the dead has since grown into one of horror’s most beloved staples. Laura Moss’s exquisite feature debut is the latest homage to the timeless mad-scientist/monster morality tale.
Protected: The Mask
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Protected: Def by Temptation
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Protected: Popcorn
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Protected: House of Horrors + The Brute Man
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Protected: Stir of Echoes
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Protected: The Day of the Beast
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Protected: Starman
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Night of Fear
An interesting piece of Australian horror history is that one of the first examples of the genre wasn’t meant to be a feature film at all.