Trouble Every Day
Trouble Every Day (2001) opens with Tindersticks’ swooning, doomy song of the same name enveloping the image of two figures—neither of whom are seen again—making out in the back seat of a car, their hands and mouths drifting toward what we imagine to be an inaugural sexual encounter.
Lucile Hadžihalilović
Tooth fairy: the director of Earwig discusses her distinctive treatment of adolescence, narrative, and silence.