Onibaba
The opening images of Kaneto Shindo’s exquisite, dread-drenched, medieval Japan–set Onibaba (1964) are overlaid with telegraphic fragments of text: “THE HOLE. DEEP AND DARK…”
Tag: Kei Sato
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The opening images of Kaneto Shindo’s exquisite, dread-drenched, medieval Japan–set Onibaba (1964) are overlaid with telegraphic fragments of text: “THE HOLE. DEEP AND DARK…”