The Devil-Doll
Well, here we have quite the farrago: Tod Browning’s penultimate film, Lionel Barrymore in drag, enslavement, telekinesis, paralysis, skin-slicing, an explosion, Christmas, romance, and what’s tantamount to heartwarming horror.
Better Than One
Were you to remark that the 1940s represented a peak in American pop-cultural horror, most people would automatically think you were talking about movies.