ESSAYS

A description of what the user will find here eg Musings and other good things
ARTICLE | ESSAY

Julia Ducournau’s feral serial-killer genre hybrid Titane seeks salvation in notions of domesticity.

BY KELLI WESTON  |  October 31, 2021

Consider Titane a reverse-slasher: not merely because in place of the usual murderous man-child in gender distress, fueled by psychosexual rage to terrorize mainly (or most enthusiastically) his female victims, we have a gender-bending woman serial killer, primarily attracted to automobiles…

ARTICLE | ESSAY

Acclaimed stars’ forays into horror roles are always revealing, and sometimes revelatory.

BY STEVEN MEARS  |  October 31, 2021

“You can lose everything else, but you can’t lose your talent,” proclaims “Baby” Jane Hudson (Bette Davis), a former child star plotting a doomed comeback. Robert Aldrich’s 1962 “Grande Dame Guignol” masterpiece What Ever Happened to Baby Jane? was hardly the first film to employ the services of A-list actors in horror roles…

REVIEW

Arrebato (Rapture)

(Iván Zulueta, Spain, 1979)

Birthed during the cultural thaw that immediately followed the end of the Franco dictatorship, Basque writer-director and designer Iván Zulueta's 1979 feature Arrebato erupts like a massive discharge of so much repressed anxiety and despair.

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BY  LAURA KERN  |  Month 00, 2021

GUIDE | MODERN SLAYERS

Beast

(Michael Pearce, UK, 2017)

Beast is a lot of movies in one package - fractured fairy tale, belated-coming-of-age story, psychological drama, regional horror film - but above all it's a calling card for its leading lady, Jessie Buckley.

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BY  STEVEN MEARS  |  Month 00, 2021

REVIEW

Humongous

(Paul Lynch, USA, 1982)

In what could be the fastest-resulting rape revenge movie, a drunken lout brutally forces himself on Ida, the young woman who doesn't return his affections, during a party over Labor Day.

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BY  LAURA KERN  |  Month 00, 2021

GUIDE | MODERN SLAYERS

Beast

(Michael Pearce, UK, 2017)

Beast is a lot of movies in one package - fractured fairy tale, belated-coming-of-age story, psychological drama, regional horror film - but above all it's a calling card for its leading lady, Jessie Buckley.

READ MORE >

BY  STEVEN MEARS  |  Month 00, 2021

REVIEW
(David Prior, USA/South Africa/UK, 2020)

There is a lot of misdirection in David Prior’s ambitious, scary, and exhilaratingly convoluted The Empty Man. For its first 20 minutes it plays like lost-in-the-wilderness adventure horror, following a group of American friends...

BY MICHAEL KORESKY  |  October 31, 2021

REVIEW
(Damon Packard, USA, 2018)

The TV is always on in Fatal Pulse. Set in 1991, the underground horror legend Damon Packard’s latest film is drenched in pinkish-bluish gel lighting, a movie-world glow enveloping all in its path...

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BY CHLOE LIZOTTE  |  October 31, 2021

REVIEW
(Sean King O'Grady, USA, 2021)

In late 2001, my girlfriend and I moved from New York to Austin, Texas. We had some friends who’d recently gone down there and we’d never been away from New York. We knew a lot—especially in those months following September of that year—but we didn’t know tornadoes.

BY WILLIAM BOYLE  |  October 31, 2021